Janet laments the collapse of her romance with Robert ("Bride's Lament") and decides to continue her life as a star showgirl. ![]() Man in Chair hurriedly corrects his mistake and The Drowsy Chaperone resumes. He mistakenly begins playing a song ("Message from a Nightingale") from a different musical entirely, however, causing the setting of the play to shift temporarily to an oriental palace and all of the actors to assume new roles. However, Janet arrives to announce that the wedding is indeed off because Robert "kissed a French girl." Feldzeig is ecstatic and leads the company in another rendition of "Toledo Surprise."Īt this point, Man in Chair attempts to play the record of the Second Act of the show. Aldolpho arrives to announce that the wedding is off because he has seduced the bride, but Feldzeig informs him that he has, in fact, seduced the Chaperone instead. He distracts them by convincing them that they have showbiz talent ("Toledo Surprise"). The Gangsters arrive, angry that Feldzeig has not yet ruined the wedding. Meanwhile, Kitty fails to persuade Feldzeig that he doesn't need Janet anymore because he has her as a replacement. ![]() However, this results in a kiss, whereupon Janet gets angry and accuses Robert of having kissed "a strange French Girl on your wedding day!" At her request, he tells this alleged "stranger" how he first fell in love with Janet and they relive the moment together ("Accident Waiting to Happen"). She puts on a bad French accent, and he fails to recognize her. Janet encounters Robert, who is roller skating blindfolded in the garden. The Chaperone quickly accepts his advances ("Aldolpho"). After Janet departs to find Robert, Aldolpho arrives and mistakes the Chaperone for Janet. Man in Chair explains that this song was written into the show due to the demands of the actress playing the Drowsy Chaperone, who always insisted that a rousing anthem be included in every show in which she performed. This prompts the Chaperone to perform a rousing anthem about alcoholism ("As We Stumble Along"), which is not particularly relevant to the plot. In her bedroom, Janet shares with her Chaperone her excitement about the upcoming nuptials. He enlists the help of Latin lover, Aldolpho, convincing him to seduce Janet. Feldzeig arrives and attempts to convince her to reconsider the wedding, but she rebuffs him ("Show Off"). Janet is lounging by a pool while fielding questions from reporters. In order to prevent Robert from accidentally seeing the bride before the wedding, he also provides Robert with a blindfold. ![]() George suggests that Robert blow off some steam by roller-skating. Robert and George nervously prepare for the wedding ("Cold Feets"). The Gangsters, who are in the employ of one of Feldzeig's investors, pressure him to sabotage the wedding so that he can retain Janet's services as a performer. Throughout the show, Man in Chair will continue to comment and explain the action with asides to the audience.įeldzeig is agonizing over the fact that his top meal ticket, Janet, is leaving showbiz to get married. Tottendale and her Underling, a proper butler dashing bridegroom, Robert Martin harried and bumbling best man, George producer, Feldzeig (a thinly-disguised homage to legendary Broadway producer, Florenz Zeigfeld) ditsy, would-be showgirl ingenue, Kitty a pair of Gangsters disguised as the pastry chefs Latin lothario, Aldolpho (a Rudolph Valentino-type) Janet's Drowsy (i.e., "tipsy") Chaperone (whom we understand is being played by a rather overbearing and potent grand dame of the theatre) and Trix, a glamorous aviatrix, a la Amelia Earhart. We are introduced to a barrage of characters during an introductory opening number ("Fancy Dress"), including Mrs. Tottendale, a wealthy dowager, is the site of an imminent wedding between showgirl, Janet Van De Graff, to oil tycoon, Robert Martin. No sooner has the needle touched the record than we, together with the narrator, are transported to a 1928 Broadway theatre and into The Drowsy Chaperone, a play-within-a-play, crammed full of every cliche, gag and gimmick from the golden age of musicals. He is a fan of vintage musicals, who seems to be suffering from free-floating depression, and he quickly decides to cheer things up by playing a record of the original cast recording of a (fictional) Broadway musical entitled The Drowsy Chaperone. The audience is greeted by the narrator, Man in Chair, sitting on a darkened stage.
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